To achieve such a feat he attempts a psychosurgical procedure known as transorbital lobotomy that he finds described and illustrated in an old medical textbook. Saying `Yes, Master & No Master.' He would kneel before me lifting his eyes to me saying `I love you Master. Quentin's aspiration, as he notes in his diary, is to create a zombie, a being with no memory who would be his slave forever. "I love you, don't make me hurt you," he pleads as he begins his grisly procedure, and his victim, helplessly bound and gagged, suddenly realizes his fate and starts his last desperate struggle. They attest to the affection Quentin feels for those he remembers as "Bunnygloves," "Rooster," "Big Guy" and "Squirrel." Mementos of these encounters include a bracelet of braided hair (his and a victim's) and a body part (not identified) preserved in a bottle of formaldehyde. Not a very close watch, it seems, because their subject remains an elusive sociopath, a sadist who preys on young men, luring them with clever tricks into his van and, later in his basement, torturing them and attacking them sexually as they are dying, then stashing their bodies in remote graves.
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